Historic Arizona Icon in Danger

[Source: Arizona Republic; by Kathleen Ingley, columnist]

The mission known as “The White Dove of the Desert” shimmers with the unworldly glow of a mirage in the dry flatlands south of Tucson.

Kathleen Ingley/The Arizona Republic

San Xavier del Bac, with its asymmetrical towers, elegant curves and exuberant decoration, is the best example of Spanish colonial architecture in the nation. It’s such an important window into the past that it was one of the original listings when the National Register of Historic Places was established in 1966.

But the White Dove is in danger.

The Legislature drained the Heritage Fund, wiping out a $150,000 grant that was supposed to help pay for repairing the east tower. The job was the final part of a two-decade restoration project. Without it, the tower and the entire structure are at risk.

Go to San Xavier, and you can’t miss the problem. The mission’s two towers look like “before” and “after” pictures for plastic surgery.

The west tower has brilliant-white stucco, new balustrades, reworked volutes and a reconstructed balcony made with mesquite.

The shorter east tower, which doesn’t have a cupola, is dingy, chipped and mottled with black mold stains. Parts of the finials and cornices are loose and could come crashing to the ground.

The Revolutionary War had just officially ended and southern Arizona was still part of New Spain when construction started on Mission San Xavier in 1783. The structure, made from fired-clay bricks in an unusual series of 11 domes, has the fluidity and openness of the Spanish baroque style.

Thanks to a series of factors, including a 50-year abandonment, isolation and scarce resources for making major changes, the mission has remained relatively unaltered since it was built. Architect Bob Vint, who has worked on the restoration, calls it “a time capsule.”

Virtually all the art inside, which has been cleaned by an international team of conservators, dates from the late 1700s. The sculptured-plaster altar is covered in gold and silver leaf.

The mission, which sits on the San Xavier Tohono O’odham Reservation, still functions as a parish church. But the building itself is a cultural monument and a major tourist attraction, drawing about 200,000 visitors a year from around the world.

In an ironic twist, most of today’s problems come from past efforts at restoration. The exterior was coated with concrete in a misguided attempt to protect the mission. But the concrete ended up trapping moisture, melting away the centuries-old bricks.

The current restoration project strips off the concrete and goes back to the original way the mission was built. The bricks for it are produced in Mexico using a traditional process – including a mule-powered mill to sift sand out of the clay – to match the mission’s bricks in density, porosity and salt content. The mortar is mixed with local sand and lime, plus a natural glue made from cactus pads.

The Patronato San Xavier, a non-profit that promotes the mission’s conservation, has managed to keep the restoration rolling with a combination of fundraising and grants.

The west tower was finished in 2009, and the scaffolding was about to go up on the east tower when word came that the Heritage Fund grant was in jeopardy.

We are not talking enormous sums of money. The Heritage Fund has put in $230,000 over the course of 15 years.

The current grant was just $150,000. But it would have triggered an equal amount of matching money and provided a solid base for starting the east tower project. The total cost is estimated at $1.5 million.

Voters established the Heritage Fund in 1990, dedicating money from the state Lottery to several grants programs for recreation and historic preservation. But the Legislature has been raiding that part of the Heritage Fund for the past three fiscal years, taking a total of $26.3 million.

The San Xavier grant was canceled. And there’s no prospect of getting it back. Lawmakers quietly abolished the cultural and recreational portion of the Heritage Fund.

Interestingly, the part of the Heritage Fund that is administered by the Arizona Game and Fish Department has taken hits in the past but didn’t fall victim to this year’s budget crisis. Maybe advocates of culture and history would be more persuasive if they carried rifles and fishing rods.

San Xavier’s restoration should have been finished in time for Arizona’s centennial in 2012.

That’s impossible now. But it would be a disgrace not to have the work well under way on the state’s 100th birthday.

We’re in a real race against time.

“That east tower is deteriorating,” says Vern Lamplot, executive director of the Patronato. “The longer it sits, the more damage is done to it, which ultimately threatens the whole thing.”

These are tough times for fundraising. But the remaining cost of restoring this irreplaceable piece of Arizona’s history and culture is remarkably small. It’s inconceivable that Arizonans won’t raise it.

Reach Ingley at kathleen.ingley@arizonarepublic.com or (602) 444-8171.

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Mesa Grande Interpretive Trail grand opening is held

[Source: Kevin Christopher, Arizona Museum of Natural History] — A community vision to bring an archaeological treasure to the public is finally realized!  A grand opening of the Mesa Grande Interpretive Trail [was] held Saturday, March 27 from 8 a.m. to 11 a.m. at Mesa Grande, located at West 10th Street and Date/Brown.  Mesa Grande is a major prehistoric Hohokam site that flourished from about 1000-1450 A.D.  The main feature is a large platform mound, about 27 feet high, that covers the size of a football field.  The site is administered by the Arizona Museum of Natural History.

“This is a day we have been looking forward to for a long time.  The opening of the trail will allow people to learn more about this unique site built by the Hohokam and our efforts to save it,” Arizona Museum of Natural History Curator of Anthropology Dr. Jerry Howard said.  The City of Mesa purchased the Mesa Grande ruins to preserve this cultural treasure and open it to the public as an educational and recreational facility.  Mesa Grande is listed on the National Register of Historic Places and has also been designated by the Arizona Historical Advisory Commission as an Arizona Centennial Legacy Project.  [Note: To read the full article, click here.]

Tucson group’s black-tie ball strives to make up for raided Arizona Heritage Fund grant

[Source: Loni Nannini, Arizona Daily Star] — In Tucson, they are the hostesses with the mostest: The Silver & Turquoise Board of Hostesses throws a party with purpose.   Over the past 16 years, the Mission San Xavier del Bac has been the sole beneficiary of more than $325,000 in proceeds from the Board of Hostesses’ annual Silver & Turquoise Ball.

Their commitment to restoration of the mission is just one example of the 50 active members’ dedication to the community, according to Ginny Healy, chairwoman of the upcoming ball and 11-year veteran of the non-profit Board of Hostesses.   “The women I have worked with at the Board of Hostesses are some of the most outstanding women in the community.  You see their professional accomplishments and contributions through volunteer service everywhere around Tucson,” said Healy, senior director of development for the College of Social and Behavioral Sciences and the Colleges of Letters, Arts and Science at the University of Arizona.

The Board of Hostesses was created 59 years ago to promote, support and encourage the preservation of Tucson’s historical traditions and diverse cultural heritage.  The ball originated as a potluck thank-you for volunteers of the now-defunct Tucson Festival Society, which staged events such as Pioneer Days, La Parada de los Niños and the Children’s Writing and Art Festival.  The potluck soon moved to the Arizona Inn at the urging of proprietor Isabella Greenway and has remained there since.  Healy believes the location, the history and the compelling cause culminate in Tucson’s most enjoyable ball.   “It is really just a party to celebrate people who have volunteered in the community and the work they have done.  It is for people to sit back and enjoy themselves and has really become one of Tucson’s great traditions,” said Healy, who is producing a documentary on the ball with director and co-producer LuisCarlos Romero Davis.

Healy said support of the mission remains a motivating factor, particularly because $150,000 in state funding for the ongoing $7 million-plus restoration was cut on Feb. 2.   The grant had been awarded through Arizona State Parks Heritage Fund, which set aside proceeds from the Arizona Lottery to fund historical restoration projects and trail management.  The money was slated for work on the east tower, where continued water damage could eventually threaten the structural integrity and damage interior artwork.  “Originally those (Heritage) funds were voter-approved, and I don’t think voters approved what the state is doing with them now.  We can’t start work on the tower until we have more funds available,” said Vern Lamplot, executive director of the Patronato San Xavier, a non-profit corporation dedicated to preservation of the mission.

In his appeal for support of the mission, Lamplot emphasized its cultural and historic value as one of the original 10 structures on the National Register of Historic Places and its bankability as a major tourist attraction that hosts more than 250,000 worldwide visitors annually.  [Note: To read the full article, click here.]

Tucson’s second-oldest building undergoes repairs, improvements: La Casa Cordova will reopen to public about December

[Source: Tucson Citizen, Teya Vitu} – – The wood viga and saguaro lath ceilings at the historic La Casa Cordova, 173 N. Meyer Ave., will be visible for the first time in more than 30 years when the second-oldest known building in Tucson reopens to the public, likely in December. La Casa Cordova, built some time before the first Tucson map was drawn in 1862, was closed in June to replace electrical systems, upgrade drainage and make the adobe structure more accessible to the disabled, said Meredith Hayes, spokeswoman for the Tucson Museum of Art and Historic Block, which manages the house.

Since Labor Day, a 10- to 14-foot-wide brick walkway has been installed in the courtyard so those in wheelchairs will no longer have to roll through dirt to get to the seven rooms in the L-shaped structure. The bricks cover about one-fourth of the dirt courtyard, and a new rock water catch basin fills one corner in the courtyard. Inside, a false ceiling has been removed to reveal the original viga-and-lath ceiling from which track lighting will be suspended as a new electrical and lighting system is installed, said Bob Vint, a downtown architect who specializes in historic preservation. “It was really inadequate,” Vint said. “They did it on a shoestring in the 1970s. They had stuff like extension cords plugged into extension cords.” [Note: to read the full article click here.]